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Introduction to Performance Studies
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Performance Studies
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écriture féminine
360-degree feedback
3D Animation
3d modeling
3D Projections
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Ablution
Aboriginal Ceremonies in Australia
Accent
Accessibility
Active audience
Active audience theory
Active spectatorship
Activism
Activist intervention
Activist theatre
Actors’ Equity Association Guidelines
Adaptation
Adrian Piper
Affect Theory
Affective movement
Affective Turn
African American Blues
African American Civil Rights Movement Freedom Songs
African American Spirituals
African American Theater
African tribal rituals
Afro-Brazilian Maracatu
Afro-Caribbean Calypso
Afro-Cuban Jazz
Afro-Cuban Santería Music
Afro-peruvian festejo
Afrocentricity
Afrofuturism
Agitprop
AIDS Coalition to Unleash Power (ACT UP)
Alternate reality games
American Society for Theatre Research
Amiri Baraka
Amphitheater
Ana Mendieta
Andrea Gibson
Angolan Kizomba
Anna Deavere Smith
Anne Bogart
Anthropological Perspective
Anti-colonial performance
Appalachia Community Theatre
Applied theatre
Appropriation
Arbitrary Relationship
Archetypal characters
Archival documentation
Archive
Arlecchino
Arnold van Gennep's Model
Arthur Bochner
Articulation exercises
Artificial intelligence
Artistic censorship
Artistic integrity
Artistic performance
Artistic sovereignty
Asian American Performance
Assertives
Audience Agency
Audience as co-creator
Audience as co-creators
Audience complicity
Audience Demographics
Audience engagement
Audience interaction
Audience interactivity
Audience participation
Audience reception
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About Us
About Fiveable
Blog
Careers
Testimonials
Code of Conduct
Terms of Use
Privacy Policy
CCPA Privacy Policy
Resources
Cram Mode
AP Score Calculators
Study Guides
Practice Quizzes
Glossary
Crisis Text Line
Request a Feature
Report an Issue
© 2024 Fiveable Inc. All rights reserved.
AP® and SAT® are trademarks registered by the College Board, which is not affiliated with, and does not endorse this website.
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