Perception is how we make sense of what our senses pick up. It's a mix of bottom-up processing (starting with raw sensory data) and top-down processing (using what we already know to interpret things).
Our perception is shaped by mental shortcuts (schemas), what we expect to see (perceptual sets), and outside factors like context and culture. Gestalt principles explain how we organize visual info, and attention determines what we focus on and process.
Influences on perception
Bottom-up vs top-down processing
Bottom-up processing begins with sensory input from the environment, while top-down processing starts with our existing knowledge and expectations. These two processes work together to create our perceptual experiences.
Key aspects of each type:
- Bottom-up processing:
- Relies on sensory receptors detecting stimuli
- Focuses on details and individual elements
- Processes raw sensory data
- Top-down processing:
- Draws on prior knowledge and expectations
- Uses context and memory
- Helps interpret ambiguous information

Schemas and perceptual sets
Schemas are organized patterns or frameworks of thought that help us categorize and interpret information. They develop through experience and learning, becoming more complex over time.
Perceptual sets influence how we interpret sensory information by creating expectations about what we will perceive. These predispositions can:
- Cause us to see what we expect to see
- Lead to selective attention
- Result in misinterpretation of ambiguous stimuli
- Be influenced by motivation and emotion
External factors in perception
Our environment and experiences significantly shape how we perceive the world. Context plays a crucial role in interpretation, as the same stimulus can be perceived differently depending on its surroundings.
Cultural influences affect perception through:
- Social norms and values
- Cultural expectations
- Communication styles
- Interpretation of symbols and gestures
Personal experiences shape perception by:
- Creating expectations
- Forming biases
- Developing emotional associations
- Building knowledge frameworks
Gestalt principles of perception
The Gestalt approach emphasizes that we perceive whole patterns rather than individual elements. These principles explain how we organize visual information into meaningful patterns.

Key principles include:
- Closure: completing incomplete figures mentally
- Figure-ground: distinguishing objects from their background
- Proximity: grouping nearby elements together
- Similarity: grouping similar elements together
Additional organizational principles:
- Continuity: perceiving continuous patterns
- Common fate: grouping elements that move together
- Good form: organizing elements into simple and regular figures
Attention in perception
Attention acts as a filter that helps us focus on relevant information while ignoring distractions. This process is essential for effective perception and processing of information.
Types of attention include:
- Selective attention: focusing on specific stimuli
- Divided attention: processing multiple inputs
- Sustained attention: maintaining focus over time
Attention limitations can lead to:
- Change blindness (missing big changes in a scene)
- Inattentional blindness (not seeing something obvious because we're focused elsewhere)
- Missed important information
- Reduced processing accuracy
Visual perception processes
Binocular depth cues
Depth perception relies heavily on info from both eyes working together. This binocular vision gives us crucial info about distance and spatial relationships.
The two main binocular cues are:
- Retinal disparity: differences in images between eyes
- Convergence: inward turning of eyes for close objects
Monocular depth cues
Monocular cues allow us to perceive depth using just one eye. These cues are particularly important for creating depth in 2D representations like paintings and photographs.
Primary monocular cues include:
- Relative clarity (distant mountains appearing hazier than nearby trees)
- Relative size (a car looking smaller when far away than when close by)
- Texture gradient (grass appearing more detailed up close but blending together in the distance)
- Linear perspective (railroad tracks appearing to converge as they extend toward the horizon)
- Interposition or objects in front blocking objects behind (a person standing in front of a building partially hiding it from view)
These cues work together to create convincing depth perception, even when viewing flat images or using only one eye.
🚫 Exclusion Note: The AP Psych exam will only include monocular depth cues listed here.
Visual perceptual constancies
Perceptual constancies help us to maintain stable perceptions despite changing sensory input. This helps us recognize objects and navigate our environment effectively.
Three main types of constancy:
- Size constancy: maintaining perceived size regardless of distance
- Shape constancy: recognizing objects from different angles
- Brightness constancy: accounting for different lighting conditions
Perception of apparent movement
The perception of movement can occur even when viewing static images or discrete stimuli. This phenomenon underlies many forms of visual media and entertainment.
Two key types:
- Stroboscopic movement: created by rapid succession of still images
- Phi phenomenon: illusion of movement between stationary stimuli
These principles are the foundation for:
- Film and animation
- Digital displays
- Electronic signage
- Visual effects
Frequently Asked Questions
What's the difference between bottom-up and top-down processing in perception?
Bottom-up processing starts with external sensory input—your eyes, ears, etc.—building a perception from the raw data (think: assembling a picture from individual lines and colors). Top-down processing uses internal factors—prior knowledge, schemas, expectations, and context—to interpret sensory input (think: you read messy handwriting by filling in expected words). AP CED connection: bottom-up = reliance on external sensory info; top-down = reliance on internal expectations (Learning Objective 2.1.A, EK 2.1.A.1–A.3). Quick examples: (1) Bottom-up = you identify a shape as a triangle because of the three edges you see. (2) Top-down = you recognize a friend in a crowd faster because you expected to see them. Both interact with attention and perceptual sets (cocktail party effect, change blindness). For more practice on Topic 2.1, check the Fiveable study guide (https://library.fiveable.me/ap-psych-new/unit-3/1-perception/study-guide/jiVFqhUY6PUoxGuf) and unit review (https://library.fiveable.me/ap-psych-new/unit-2).
How do schemas affect what we perceive?
Schemas are mental frameworks (your prior knowledge, expectations, and categories) that guide top-down processing—they help you predict and interpret sensory input so you perceive faster and more efficiently (CED 2.1.A.1, 2.1.A.2). For example, if your schema for “kitchen” includes a stove and sink, you’ll notice those items quickly and might miss an odd object there. Schemas create perceptual sets that bias attention and interpretation (so ambiguous stimuli are seen according to expectation), and they’re shaped by context, experience, and culture (CED 2.1.A.3). That’s why two people can view the same scene differently or why stereotypes influence what details you notice. On the AP exam expect items tying schemas to top-down processing, perceptual set, and attention (e.g., change blindness or selective attention scenarios). For review, check the Topic 2.1 study guide (https://library.fiveable.me/ap-psych-new/unit-3/1-perception/study-guide/jiVFqhUY6PUoxGuf) and more unit resources (https://library.fiveable.me/ap-psych-new/unit-2). For practice, try problems at (https://library.fiveable.me/practice/ap-psych-new).
I'm confused about Gestalt principles - can someone explain closure, figure-ground, proximity and similarity?
Gestalt principles explain how your brain organizes bits of sensory input into meaningful wholes—mostly a mix of bottom-up sensing and top-down expectations (CED 2.1.A). Quick defs: - Closure: Your mind fills in missing parts to see a complete shape (like seeing a circle even when gaps exist). - Figure–ground: You separate an object (figure) from its background (ground)—think Rubin’s vase vs. two faces. - Proximity: Elements close together are grouped as one unit (dots near each other look like a cluster). - Similarity: Items that look similar (color, shape, size) get grouped together (rows of same-colored shapes). These principles are part of perceptual organization and help explain correct and incorrect interpretations (CED 2.1.A.4, 2.1.B). If you want quick practice questions and a topic study guide tied to the CED, check Fiveable’s perception study guide (https://library.fiveable.me/ap-psych-new/unit-3/1-perception/study-guide/jiVFqhUY6PUoxGuf) and practice problems (https://library.fiveable.me/practice/ap-psych-new).
What is the cocktail party effect and why does it happen?
The cocktail party effect is a selective-attention phenomenon where you can focus on one conversation in a noisy room but still notice personally relevant words (like your name) from other conversations. It happens because attention isn’t all-or-nothing: top-down processes (your expectations, goals, and schemas) bias what your brain monitors, while bottom-up salience (a sudden loud voice or your name) can grab attention. Models of attention describe an attentional “filter” that lets most unattended input stay out of awareness but still lets highly meaningful items through. This ties directly to CED 2.1.A.5.i (selective attention) and top-down vs. bottom-up processing (2.1.A.1). For quick review, check the Topic 2.1 study guide (https://library.fiveable.me/ap-psych-new/unit-3/1-perception/study-guide/jiVFqhUY6PUoxGuf) and practice questions (https://library.fiveable.me/practice/ap-psych-new) to see exam-style items on attention.
Why do we sometimes not notice obvious changes in our environment?
You don’t notice obvious changes because your perception isn’t just raw sensing—it’s filtered. If you’re using top-down processing (expectations, schemas, perceptual sets), you pay attention to what you expect to see and ignore mismatches. Selective attention focuses limited processing on some things (cocktail party effect shows what grabs attention), so unattended events can be missed. That leads to change blindness/inattention blindness: large changes go unnoticed when attention’s elsewhere. Gestalt grouping (figure–ground, closure, similarity) and context/cultural expectations also shape what your brain organizes as “important.” Bottom-up cues help notice novel stuff, but if attention’s occupied, change can slip by. For AP review, this fits EKs 2.1.A.1–2.1.A.5 (change blindness is in 2.1.A.5.ii). For a quick refresher and practice Qs, check the Topic 2.1 study guide (https://library.fiveable.me/ap-psych-new/unit-3/1-perception/study-guide/jiVFqhUY6PUoxGuf) and tons of practice problems (https://library.fiveable.me/practice/ap-psych-new).
What's change blindness and how is it different from regular not paying attention?
Change blindness is a specific type of inattention: it’s when a pretty obvious change in your visual environment goes unnoticed because your attention isn’t focused on the changing element. Classic examples are the “flicker” experiments or the door-study where a person giving directions is swapped with someone else and the subject doesn’t notice. The key idea from the CED: change blindness happens because of inattention—your perceptual system (selective attention) filters out the change. Regular not paying attention is broader—it can mean you miss sounds, forget instructions, or aren’t concentrating at all. Change blindness is a visual phenomenon showing how perception relies on selective attention and top-down expectations (schemas/perceptual set). For AP review, this fits EK 2.1.A.5.ii (inattention → blindness) and comes up on multiple-choice questions about attention and perception. Review this topic in the AP study guide (https://library.fiveable.me/ap-psych-new/unit-3/1-perception/study-guide/jiVFqhUY6PUoxGuf) and practice more at (https://library.fiveable.me/practice/ap-psych-new).
How do binocular depth cues work to help us see depth?
Binocular depth cues let your brain use info from both eyes to judge distance. Retinal disparity is the slight difference between the two retinal images—the closer an object is, the bigger that difference—so your brain compares the two images to perceive depth. Convergence is the muscle feedback: your eyes turn inward more for near objects and less for far ones; the brain senses that degree of inward rotation and uses it as a cue to distance. Both are examples of bottom-up sensory info that help form accurate depth perception (EK 2.1.B.1). The AP exam can ask about retinal disparity and convergence specifically, so make sure you can define and give an example of each. For a quick topic review, see the Topic 2.1 study guide (https://library.fiveable.me/ap-psych-new/unit-3/1-perception/study-guide/jiVFqhUY6PUoxGuf) and practice questions (https://library.fiveable.me/practice/ap-psych-new).
What's the difference between retinal disparity and convergence?
Retinal disparity and convergence are both binocular depth cues (EK 2.1.B.1) that use information from both eyes to perceive depth, but they work differently. Retinal disparity is a sensory/visual difference: each eye gets a slightly different image because of the eyes’ horizontal separation, and the brain compares those differences—the larger the disparity, the closer the object appears. Convergence is a kinesthetic cue: your eye muscles turn (converge) inward more when focusing on a close object; the brain senses that muscle effort and uses it to judge distance. So retinal disparity = difference between the two retinal images; convergence = the amount your eyes angle inward (muscle feedback). Both are binocular cues tested in AP-style questions about depth perception—review them in the Topic 2.1 study guide (https://library.fiveable.me/ap-psych-new/unit-3/1-perception/study-guide/jiVFqhUY6PUoxGuf). For extra practice, use Fiveable’s practice problems (https://library.fiveable.me/practice/ap-psych-new).
Can someone list all the monocular depth cues we need to know for the AP exam?
Short answer: the AP exam only expects you to know these five monocular depth cues—relative clarity, relative size, texture gradient, linear perspective, and interposition. Quick definitions (one line each): - Relative clarity: hazier objects look farther away. - Relative size: if two objects are same size but one looks smaller, it’s farther. - Texture gradient: closer surfaces show more detail; textures get denser with distance. - Linear perspective: parallel lines converge with distance (e.g., railroad tracks). - Interposition (overlap): an object that blocks another is closer. Note: the CED explicitly limits the exam to those five monocular cues (EK 2.1.B.2). Binocular cues (retinal disparity, convergence) are separate (EK 2.1.B.1). For review, check the Topic 2.1 study guide (https://library.fiveable.me/ap-psych-new/unit-3/1-perception/study-guide/jiVFqhUY6PUoxGuf) and practice problems (https://library.fiveable.me/practice/ap-psych-new).
How do visual illusions relate to perceptual constancies?
Visual illusions show how perception can be fooled even though perceptual constancies usually keep things stable. Perceptual constancies (like size, shape, and brightness constancy; EK 2.1.B.3) let you perceive an object as the same despite changes in the retinal image. Illusions happen when bottom-up sensory cues conflict with top-down expectations, schemas, or context (2.1.A.1–A.3). For example, the Müller-Lyer illusion tricks size constancy by giving misleading depth/context cues, and brightness illusions exploit contrast so top-down assumptions about illumination create a wrong percept. So illusions are useful demonstrations: they reveal when the brain’s constancy rules and Gestalt organization (figure–ground, closure) lead to a stable—but incorrect—interpretation. For AP review, focus on how bottom-up vs. top-down processing and monocular/binocular cues interact to produce correct (constancies) or incorrect (illusions) perceptions. More on this topic in the AP study guide (https://library.fiveable.me/ap-psych-new/unit-3/1-perception/study-guide/jiVFqhUY6PUoxGuf) and try practice questions (https://library.fiveable.me/practice/ap-psych-new).
I don't understand how we can see movement when nothing is actually moving - what's apparent movement?
Apparent movement is when your brain perceives motion even though nothing physically moves—like seeing lights blink in sequence and feeling they sweep across a sign. Your visual system uses patterns over time (bottom-up sensory input) plus expectations and Gestalt grouping (figure–ground, continuity) to “fill in” motion. Two nearby flashes separated by a short delay can create the phi phenomenon: you see movement between them because the brain links successive sensory events into a single moving object. This shows top-down processing too: your prior expectations and perceptual set help interpret ambiguous input as motion. On the AP exam this fits EK 2.1.B.4 (apparent movement) and ties to Gestalt principles in 2.1.A.4. Want to practice examples and MCQs on this? Check the Topic 2.1 study guide (https://library.fiveable.me/ap-psych-new/unit-3/1-perception/study-guide/jiVFqhUY6PUoxGuf) and lots of practice problems (https://library.fiveable.me/practice/ap-psych-new).
Why do cultural experiences change how we perceive things?
Cultural experiences change perception because they shape your top-down processing—your expectations, schemas, and perceptual sets. If your culture teaches you to notice certain patterns, colors, or social cues, those internal filters make you more likely to interpret ambiguous sensory input in a familiar way (CED 2.1.A.1–2). Context and repeated experiences (external factors) also bias attention and meaning: what’s normal or important in one culture may be ignored or seen differently in another (CED 2.1.A.3, 2.1.A.5). That’s why people from different cultures can “see” different uses, emotions, or meanings in the same stimulus even when bottom-up sensory data are identical. For more AP-aligned review on perception (Gestalt principles, schemas, perceptual set), see the Topic 2.1 study guide (https://library.fiveable.me/ap-psych-new/unit-3/1-perception/study-guide/jiVFqhUY6PUoxGuf) and practice questions (https://library.fiveable.me/practice/ap-psych-new).
How does attention work as both sensation and perception?
Attention sits at the boundary of sensation and perception: sensation brings in raw sensory input, while perception organizes and gives that input meaning. Attention selects which sensory data get processed (sensation) and which get interpreted using top-down factors like schemas, expectations, and context (perception). That’s why selective attention lets you focus on one conversation in a noisy room (the cocktail party effect—EK 2.1.A.5.i) but inattention can make you miss big changes (change blindness—EK 2.1.A.5.ii). Bottom-up processing supplies the incoming signals; top-down processing, perceptual sets, and Gestalt principles filter and shape what you actually perceive (EKs 2.1.A.1–4). For AP purposes, know examples and definitions—MCQs often test cocktail party vs. change blindness— and review the Topic 2.1 study guide (https://library.fiveable.me/ap-psych-new/unit-3/1-perception/study-guide/jiVFqhUY6PUoxGuf). For extra practice, try problems at (https://library.fiveable.me/practice/ap-psych-new).
What are perceptual sets and how do they filter what we see?
Perceptual sets are mental tendencies or expectations—built from your schemas, past experiences, culture, and current context—that make you more likely to notice some things and ignore others. They’re a top-down influence on perception: your brain applies prior knowledge and goals to interpret incoming sensory data, so what you “see” is filtered before full processing. For example, if you expect to see a teacher in a crowd, you’ll spot them faster; if you’re primed to see words, you might miss a picture (selective attention/change blindness). Perceptual sets can produce correct interpretations quickly but also create errors (you’ll misread ambiguous stimuli to match expectations). This links directly to EK 2.1.A.1–A.3 in the CED (schemas, context, cultural expectations). For quick AP review, check the Topic 2.1 study guide (https://library.fiveable.me/ap-psych-new/unit-3/1-perception/study-guide/jiVFqhUY6PUoxGuf) and practice questions (https://library.fiveable.me/practice/ap-psych-new) to see examples you might get on the exam.
How do context and past experiences influence our perception of the world?
Context and past experience shape perception by shifting the balance between bottom-up and top-down processing. Bottom-up uses raw sensory input; top-down uses schemas, expectations, and perceptual sets (your prior knowledge) to interpret ambiguous input. For example, cultural expectations or past experiences can make you “see” a familiar object faster or ignore unexpected details. Context effects (like surrounding letters, lighting, or scene) also change interpretation—same stimulus can be read differently depending on what’s around it. Gestalt principles (figure–ground, closure, proximity, similarity) show how your brain organizes parts into wholes using these internal and external filters. Attention interacts with all this: selective attention (cocktail party effect) highlights relevant info, while inattention can cause change blindness. These ideas are in the AP CED for Topic 2.1 (use terms like schemas, perceptual set, context effects, top-down/bottom-up), and they’re commonly tested in Unit 2 questions. For a quick review, see the Topic 2.1 study guide (https://library.fiveable.me/ap-psych-new/unit-3/1-perception/study-guide/jiVFqhUY6PUoxGuf) and practice problems (https://library.fiveable.me/practice/ap-psych-new).