Feminism in Television

👩Feminism in Television Unit 3 – Second-Wave Feminism in 1970s TV

Second-wave feminism in 1970s TV marked a shift in how women were portrayed on screen. Shows like "The Mary Tyler Moore Show" and "Maude" introduced independent, career-oriented female characters who challenged traditional gender roles and addressed controversial issues. This era saw more women working behind the scenes in television production, though they remained underrepresented. The impact of these shows was significant, inspiring real-life women to pursue careers and demand equality, while also sparking public discussions on women's rights and societal norms.

Historical Context

  • Second-wave feminism emerged in the 1960s and 1970s, building upon the progress made by first-wave feminism
  • Focused on a wide range of issues beyond suffrage, including reproductive rights, sexuality, family, the workplace, and legal inequalities
  • Coincided with the Civil Rights Movement and anti-war protests, creating a climate of social and political activism
  • Women's Liberation Movement gained momentum, challenging traditional gender roles and advocating for women's empowerment
  • Landmark legislation passed during this era, such as Title IX (1972) and Roe v. Wade (1973), advancing women's rights in education and reproductive freedom
  • Consciousness-raising groups formed, allowing women to share experiences and raise awareness about gender-based oppression
  • Women's studies programs established in universities, legitimizing the study of women's history and experiences

Key Figures and Movements

  • Gloria Steinem, a prominent feminist journalist and activist, co-founded Ms. magazine (1972) and became a leading voice of the women's movement
  • Betty Friedan, author of "The Feminine Mystique" (1963), co-founded the National Organization for Women (NOW) in 1966
    • NOW advocated for women's rights, including equal pay, reproductive freedom, and an end to discrimination
  • Shirley Chisholm, the first Black woman elected to Congress (1968), ran for president in 1972, symbolizing the intersection of gender and racial equality
  • Angela Davis, a radical activist and scholar, addressed the interconnected nature of oppression based on race, gender, and class
  • The Redstockings, a radical feminist group, organized public speak-outs on previously taboo topics like abortion and rape
  • Chicana feminists, such as Dolores Huerta and Gloria Anzaldúa, advocated for the rights of Latina women and challenged the mainstream feminist movement's lack of inclusivity

Representation on Screen

  • 1970s television began to feature more complex and independent female characters, challenging traditional stereotypes
  • Sitcoms like "The Mary Tyler Moore Show" (1970-1977) depicted single, career-oriented women navigating personal and professional life
    • Mary Richards, the central character, represented a new type of feminist role model on screen
  • "Maude" (1972-1978) tackled controversial issues like abortion, divorce, and women's liberation, with the outspoken titular character challenging societal norms
  • "All in the Family" (1971-1979) addressed women's rights through the character of Gloria Stivic, who often engaged in feminist debates with her conservative father-in-law
  • "Police Woman" (1974-1978) featured one of the first female leads in a crime drama, portraying a competent and assertive police officer
  • "The Bionic Woman" (1976-1978) presented a female action hero with superhuman abilities, subverting gender expectations in the sci-fi genre
  • Despite progress, women continued to be underrepresented in leading roles and often portrayed in stereotypical or subordinate positions

Breakthrough Shows and Characters

  • "The Mary Tyler Moore Show" (1970-1977) revolutionized the portrayal of single working women on television
    • Mary Richards, a successful television news producer, embodied independence, ambition, and self-reliance
    • The show addressed issues like equal pay, sexual harassment, and work-life balance, resonating with the feminist movement
  • "Maude" (1972-1978) featured a groundbreaking episode in which the titular character chooses to have an abortion
    • The episode aired shortly before Roe v. Wade and sparked national conversations about reproductive rights
  • "One Day at a Time" (1975-1984) depicted a divorced single mother raising two teenage daughters, showcasing the challenges and triumphs of non-traditional family structures
  • "Charlie's Angels" (1976-1981), while criticized for its emphasis on the female leads' appearance, showcased women in action-oriented roles typically reserved for men
  • "The Jeffersons" (1975-1985) featured a successful Black family, with Louise Jefferson as a strong, opinionated woman who challenged stereotypes and championed equality
  • "Alice" (1976-1985) centered on a single mother working as a waitress, highlighting the experiences of working-class women and their struggles for economic independence

Behind the Scenes: Women in Production

  • Women began to make inroads in television production during the 1970s, although they remained underrepresented in key creative positions
  • Treva Silverman became one of the first female writers to win an Emmy Award for her work on "The Mary Tyler Moore Show" (1970-1977)
  • Ethel Winant, the first woman to hold the position of vice president of television at a major network (CBS), advocated for more diverse and inclusive programming
  • Joan Darling became one of the first female directors to receive an Emmy nomination for her work on "Mary Hartman, Mary Hartman" (1976-1977)
  • Rita Lakin, a writer and producer, created the groundbreaking sitcom "Rhoda" (1974-1978), which featured a strong, independent female lead
  • Women's Directing Workshop, established by the Directors Guild of America (DGA) in 1979, aimed to increase opportunities for female directors in television
  • Despite progress, women continued to face barriers and discrimination in the male-dominated television industry, with limited opportunities for advancement and equal pay

Impact on Society and Culture

  • 1970s television reflected and shaped the changing attitudes towards women's roles and rights in society
  • Shows like "The Mary Tyler Moore Show" and "Maude" provided role models for women seeking independence and challenging traditional gender norms
    • These characters inspired real-life women to pursue careers, assert their rights, and demand equality
  • The portrayal of controversial topics like abortion, divorce, and sexual harassment on television helped to destigmatize these issues and encourage public dialogue
  • Television's representation of working women, single mothers, and non-traditional family structures contributed to a broader acceptance of diverse life choices
  • The increased visibility of women's issues on screen raised awareness about the ongoing struggle for gender equality and the need for social and political change
  • Television's influence on fashion and style also reflected the feminist movement, with characters like Mary Richards popularizing a more professional and empowered look for women
  • However, the impact of television on society was limited by the underrepresentation of women, particularly women of color, and the persistence of stereotypical portrayals

Criticisms and Limitations

  • Despite progress, 1970s television continued to perpetuate gender stereotypes and limit the range of roles available to women
  • Many shows featured women in traditionally feminine occupations (secretaries, nurses, teachers) or focused on their domestic roles as wives and mothers
  • The portrayal of working women often emphasized their struggles to balance career and family, reinforcing the notion that women's primary role was in the home
  • The representation of women of color was particularly lacking, with few leading roles and limited character development
    • Shows like "The Jeffersons" and "Good Times" were exceptions, but still relied on stereotypes and caricatures
  • The objectification of women's bodies and emphasis on physical appearance remained prevalent, as seen in shows like "Charlie's Angels" and "Three's Company"
  • Behind the scenes, women continued to face discrimination and limited opportunities in the television industry, with few women in positions of power and decision-making
  • The feminist themes and messages presented in television shows were often watered down or contradicted by the overall narrative and character arcs, limiting their subversive potential

Legacy and Influence on Modern TV

  • The groundbreaking shows and characters of the 1970s paved the way for more diverse and nuanced representations of women on television
  • Shows like "Murphy Brown" (1988-1998, 2018) and "Ally McBeal" (1997-2002) built upon the foundation laid by "The Mary Tyler Moore Show," featuring strong, independent female leads in the workplace
  • The influence of "Maude" can be seen in shows like "Roseanne" (1988-1997, 2018) and "Grace and Frankie" (2015-2021), which tackle social and political issues through the lens of complex, outspoken female characters
  • The legacy of 1970s television's feminist themes continues in contemporary shows like "The Handmaid's Tale" (2017-present), "Orange Is the New Black" (2013-2019), and "The Marvelous Mrs. Maisel" (2017-present)
    • These shows explore the ongoing struggle for gender equality and the intersectionality of oppression
  • The increased representation of women behind the scenes in modern television, with more female writers, directors, and producers, can be traced back to the pioneers of the 1970s
  • However, the fight for equal representation and opportunities for women in the television industry remains an ongoing battle, with disparities in pay, recognition, and creative control
  • The lessons and limitations of 1970s television's portrayal of feminism serve as a reminder of the importance of intersectionality, authenticity, and sustained progress in the pursuit of gender equality on and off-screen


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© 2024 Fiveable Inc. All rights reserved.
AP® and SAT® are trademarks registered by the College Board, which is not affiliated with, and does not endorse this website.